My design ethos revolves around the integration of traditional craftsmanship with computer-aided manufacturing. In an increasingly fast-paced world, I have observed that mass-produced furniture often sacrifices essential qualities inherent in traditional craftsmanship. My practice is dedicated to infusing beauty and durability into modern CNC furniture. A key element of this endeavor is the development of a CNC joint, which I have named the "Kumiko Flower," inspired by the traditional Japanese joinery of the same name. By merging these traditional techniques with contemporary manufacturing methods, I aim to reintroduce the artistry and skill traditionally associated with craftsmanship into CNC furniture design.

My design process emphasizes a hands-on approach through making and iterative development. Unlike many traditional furniture designers who primarily rely on sketching or computer modeling, I prefer to integrate these methods at the onset of the design process and transition to tangible creation as swiftly as possible. This preference for working with physical materials enables me to navigate challenges more effectively and identify any design flaws early on. Following this initial phase, I often return to sketching and digital modeling to rapidly prototype new concepts. I then test the most promising iterations by crafting them, fostering an ongoing cycle of sketching, modeling, and testing. This iterative process ultimately leads to the creation of pieces that are not only functional and aesthetically pleasing but also align with my design philosophy.